![[Valid RSS]](valid-rss-rogers.png "Validate my RSS feed")
Bollywood's enduring 786 connect ..Coolie,Qaidi,Khiladi
Mumbai, December 07:
The number 786, revered in Islamic culture, has found prominence in Bollywood over and over again -- remember Amitabh Bachchan's 'Billa No.786' in "Coolie" and Shah Rukh Khan's 'Qaidi No.786' in "Veer-Zaara". It returns to the screen with Akshay Kumar's "Khiladi 786".
The number is said to be the total value of the letters 'Bismillah
al-Rahman al-Rahim' (in the name of Allah, the compassionate, the
merciful), according to one Arabic system of numerology.
In Bollywood,
quick to pick on what strikes an emotive note with superstitious
viewers, 786 has been used either as a connotation for a character's
invincibility or to denote how a truly god-blessed soul overcomes tough
times.
In reality, however, the number is just a "ritualistic reference"; no
more than that, says Firoz Bakht Ahmed, teacher and community worker.
"There is no doubt this number, 786, remains a holy number in the
subcontinent, but it started as a trend. And now it has common
acceptance.
"It is not some kind of force to reckon with. It just has a face
value and has a ritualistic reference to it, just like there is an Om, a
Trishul and a Swastika... it is no more than that," Ahmed, a
grandnephew of Maulana Abul Kalam Azad, told IANS.
"It is just indicative of a belief. Like Sikhs say 'Wahe guru' to
save themselves from evil, many people use 786 for the same reason. It
doesn't mean it is god in itself and nothing can happen to you," he
explained.
But for Bollywood filmmakers, still enough to forge that emotional connect.
In the 1975 film "Deewaar", Amitabh Bachchan's character Vijay Verma
carried a '786' billa with him in his pocket all the time. In the 1983
film "Coolie", the magic carried through and the megastar's character
Iqbal Khan sported 'billa no. 786' on his uniform.
Obviously, the number's mystical powers were woven into the story.
"786 - in 'Deewaar', the 786 billa in his coat pocket saved him when
he was shot at... when it dropped out in the climax, he was shot and
died. In the 'Coolie' climax, the 'chaadar' draped over his body though
shot at, saved him," Big B had once shared with his fans on Twitter.
In a transference from the reel to the real, many fans believed that
it was 786 that saved Amitabh from his near-fatal accident on the sets
of "Coolie". Thereafter, the number gained immense popularity in the
country.
Film historian SMM Ausaja notes: "The number gained popularity after
its intelligent use in Yash Chopra's 'Deewaar', and subsequently it
attained a cult status in the socio-cultural fads. In fact, eight years
later in 1983, the number re-emerged in 'Coolie' - a film which
completed a mind-boggling 75-week run across major metros."
"Amitabh sported this number on his badge. Even the logo of the film
had this number in one 'O' of Coolie. We also saw a pacemaker with this
number in Ketan Desai's 'Allah Rakha' (1986). Not just car number
plates, even mobile phone numbers bearing these digits are charged a
premium by the operators," he added.
There are other examples too.
Chiranjeevi sported the number in the Telugu film "Khaidi No.786",
while Shah Rukh's character Veer Pratap Singh in "Veer-Zaara" also bore
the prisoner number 786. The registration number of Ajay Devgn's car in
the movie "Once Upon A Time In Mumbaai" was MRH 786.
The tradition continues with the upcoming "Khiladi 786", in which
action star Akshay Kumar apparently has '786' etched on the destiny line
of his palm.
"It denotes that Akshay's character Bahattar Singh has 'Allah ki
rahmat' (Allah's blessings) and how when he gets bruised, there is some
upheaval all around. There is only an undertone of the number in the
film, it has not been exaggerated," Rakesh Upadhyay, the film's creative
producer, told IANS.
Do filmmakers use it as a matter of superstition?
"It is not a superstition, it's an auspicious number in the Islamic
context; therefore when you have a Muslim character, associating this
number with any scene or incident enhances its impact," said Ausaja.
|
|
|
Much water has flown under the bridge ever since Tollywood shifted its base from Chennai to Hyderabad. There's development on all fronts. Many studios including some with world class standards and the graphics, creative wings and of course the post production suits have come up. The availability of artists is also easier and in one sense, Hyderabad has almost become the hub of Tollywood. As the city sleeps, Tollywood awakens. 
